Nostalgia is something that we can all relate too, especially in today’s world where everything seems to be going into shambles. The Way I See It banks on this idea of nostalgia. Following Pete Souza and revisiting his eight years as the photographer for President Obama and his response following President Trump’s election and today’s world. Composing itself mostly of images and stock footage intertwined with interviews, The Way I See It tries to make you yearn for past times and fear our future with the current President of the United States at its head.

Romantic comedies aren’t always my cup of tea. Too often they follow the same idea or story and it feels like they are just the same. But once a year, a little gem appears and takes me by storm. Last year, to me, that was the Seth Rogen and Charlize Theron lead Long Shot. This year, I am pretty sure that it will be The Broken Hearts Gallery. Is it perfect? No, but it just had so much heart and was hilarious. There’s something when you find a film that you go in thinking it will nothing more than a nice little comedy that will take your mind off your life but it becomes more and all of a sudden you find yourself dying of laughter one second and the next you are crying like a baby. That was The Broken Hearts Gallery for me.

Road trip movies are fun because it allows the filmmakers to explore their characters in situations that often we don’t find ourselves in. But they need to have interesting characters and relationships but also a premise that can be sustained. Summerland had potential and the acting and relationships are enough to make it something more, the problem is that Summerland can’t hit all the marks it needs too. It finds itself muddled into a story that never finds it’s footing and, quietly frankly, becomes boring when it should be entertaining.

Sometimes just from a premise of a show, you just know something is for you. I usually navigate more towards comedy when it comes to television but sometimes a dramatic show will come and sweep me off my feet. Away comes from a team that I trust. Produced by Matt Reeves (Felicity, The Batman, Cloverfield) and Jason Katims (Roswell, Friday Night Lights, Parenthood) and starring Oscar winner Hilary Swank (Boys Don’t Cry, Million Dollar Baby), it had everything to succeed. My only concern was how one could sustain a drama set during a mission to Mars where most of the show would take place onboard a ship. Well, Away was capable of finding a way and make a show that maybe isn’t always on point but certainly shows it’s potential.

All Together Now was not what I thought it would be. I have not read the book the film is based on and so I watched it with simply the premise in the head. To say that it took me by surprise is an understatement. I still don’t know how I would qualify this film, how I could describe it. Going into this film, I thought I was in for a very normal young adult film, the type that we are now used to seeing on Netflix. All Together Now is not that. While there are tonal problems at times, the film doesn’t pull its punches and hits you at every turn in the feelings. Does it feel like it might be too much at times? Yes, it does. But even when it does, the stellar performance from Auli’i Cravalho (Moana) saves the film from going too much into the melodramatic.

I’m tired. I’m tired of lesbian films taking place in the past, tired of not being able to enjoy a film because I know the terrible ending where someone dies or goes back to her husband is coming closer and closer. That doesn’t mean that I don’t enjoy them from time to time, after all my favourite film of last year, Portrait of a Lady on Fire is a period drama. I’m just tired of that setting being the only way for me to find lesbian representation in films. Why can’t I have a Love, Simon? Why is it that lesbian love stories are always about pain and suffering? I’m tired honestly.

Another one.

Suicide Squad was not a good movie. I’m sorry but it wasn’t. That doesn’t mean it didn’t have good things in it. Mostly Margot Robbie as Harley Quinn, probably the best casting in a very long time. But now, with James Gunn at the helm the second coming of this crew, I think we might have a good movie in front of us. I think DC is intelligent to not label it as a sequel and mostly simply a new squad.