The first To All The Boys I’ve Loved Before was a nice little surprise when it came out last year. It wasn’t really what we expected when we all logged into our Netflix account to watch this romantic comedy. Instead of getting a movie that we would all forget and make fun of overtime, we got a film that actually was good. Yes, it did play into most of the young adult tropes that we are all very used to but the elevated cinematography for this type of film and a charming cast brought something refreshing and, quite frankly, unexpected. With all that and the success of the film, it wasn’t a surprise at all when a sequel was announced. Not only was one sequel was announced but the announcement came with the news that the third book of the series would also find it’s way to being adapted and on Netflix in the near future. But like any sequels, being able to recreate what had made it special could be hard, so the arrival of To All The Boys: PS I Still Love You was something that, while I was looking forward to it, I was also a bit scared. I had enjoyed the first film and really hope that I would find myself enjoying this one too.
My relationship with the source is a very new and fresh one. I didn’t start watching the show until the beginning half of the final season came out. The reality is, everyone told me I should have watched it ever since the second season. And they were a hundred percent right. Not only so that I would have been more aware of the show earlier, but to binge this show, is to know sadness at an accelerated rate.
The big question for this highly anticipated new season has been, will it live up to its exhilarating and remarkable season two? Well, it does and it doesn’t. Chilling Adventures continues to stun us with its haunting and gorgeous imagery along with its beloved and thoroughly fleshed out characters that we continue to enjoy and relate to. The campiness factor remains intact this season all the while taking itself more seriously than the previous two. But the whole time, I couldn’t help but think something seems off. Before I jump into my thoughts, there will be some brief spoilers regarding season two and some talk of storylines set up by episode one so if you haven’t seen the previous season yet I recommend watching it before reading this review.
Sometimes shows go through a sophomore slump, when they can’t quite find what made their first season stand out from the ground. So going into the second season of Sex Education, I was scared because not only did I really enjoy season one but with the ending, it was obvious that the show could go in a lot of directions. But after being able to watch all episodes of the second season before it’s released, I am happy to say that not only did it meet my expectations but it also exceeded them. Now, this review will be spoiler-free because I do believe that all the little twists and turns that happen on this show make it even better and I want everyone to be able to enjoy it and freak out just like I did when I was first watching it.
(Please note that this review is not spoiler-free as I had to go into detail to explain why I felt the way I felt.)
Nostalgia is probably the biggest thing in cinema and television right now. With all the reboots and sequels, the idea of nostalgia drives a lot of the film that we get. Sometimes it works, others not so much. But more then none, it creates a product that feels like something we have seen before. Star Wars: The Rise of Skywalker feels like that, a product that was created simply to cater to the fans that felt betrayed by the previous instalment. Rise of Skywalker isn’t a bad movie per se, but when placed right after what I considered to be one of the best Star Wars movie ever, then it feels jarring and is not a satisfying end to a saga that spanned 40 years.
Honestly, just because you can de-age someone, doesn’t necessarily mean that you should. And yes, it’s so good, we had to write about it twice.
What feels like a lifetime ago, I wrote an article about Netflix and its original programming. Even then, I knew it was only a matter of time before we got bigger projects to appear exclusively for Netflix, but I never thought we would get a Martin Scorsese picture.
Last year, Netflix won big with Alfonso Caron’s Roma. It was a turning point for them and it was just a matter of time before more high profile filmmakers made their way to a streaming service. This year saw just that, a wave of filmmakers walk toward streaming services instead of regular theatrical releases. And Netflix found a film that might just propel them to win big once again at this year’s Oscar ceremony. It might be surprising to see Martin Scorsese creates a film and have it bow on Netflix instead of having the theatrical release one would be accustomed to seeing with a name like his. But after viewing The Irishman it’s easy to see why Netflix was not only the best choice for the film but also the only choice.
Or Fast & Furious Presents Hobbs & Shaw.
One thing I didn’t expect coming out of this film was the overwhelming sense of boredom that I found in it. It’s cruel to say, I know, but the film runs way too long and for me, past its welcome. The film likes to stop and live and Hobbs (Johnson) and Shaw (Statham) bickering for far too long. The only good thing that comes out of this, is that it reminds me of Statham’s great performance in the underrated Spy.
Identity is something that defines you when you are part of the LGBTQ+ community. It’s a question that you wrestle with most of your life and sometimes it takes forever to answer it, sometimes you can never truly become yourself. Maybe that is why Man Made is so touching, so powerful. Because it’s about men finally being themselves, putting themselves out there and being true to themselves. It’s admirable, to say the least, and it’s a subject we don’t talk enough about and is not seen enough in film, fiction or not.
It’s been a few years since we’ve gotten a fairly high caliber anthology horror film. The last one for myself may have been 2012’s VHS, or even its sequel, VHS2. But nothing quite hit the mainstream like Trick ‘R Treat slowly did. A film that once played at Toronto After Dark back in 2009. There are a few things that need to hit in order for an anthology (horror) film works well. It’s to my belief that The Mortuary Collection hits all of them.