In case I haven’t mentioned it before, Shudder is a godsend in terms of a streaming service. Between curating great previous films and franchises and shows (Channel Zero, I urge you to give a watch) but they also have original content and The Beach House is the latest great addition to their already stacked catalogue.
You know that feeling when you watch a show and you just can’t stop watching. Going into something completely blind, with no idea of what this is going to happen, that surprise feeling as the episodes pass and things get crazier and crazier. Sometimes it’s a nice surprise, others it isn’t. Going blind into Warrior Nun was the best thing I did. The only thing I knew about this show was because of the trailer that Netflix released. It was a nice surprise, a surprise that after I finished I wished I had taken more of my time watching because while the show is far from perfect, Warrior Nun reminds me a lot of another great little supernatural show that deserves a lot more attention, Wynonna Earp.
I wanted to like John Stewart’s Irresistible, it seemed to be the type of film that I usually enjoy. It boasts a stellar cast and the premise seemed poised to create a great satire that could have created a conversation about politics and our society. Instead, Irresistible fails on every front and even a pitch-perfect Rose Byrne can’t save the mess that this film ends up being.
When I found out that there was an ultra-violent Home Alone starring Lulu Wilson (Ouija: Origin of Evil, and Haunting of Hill House) who beats up neo-nazis, one played by Kevin James. I immediately asked where do I sign up to watch this?
Dear… is one of the newest series to premiere on the still new and fresh Apple TV+ streaming service. I haven’t found time to dive into a lot of their programming, but I’m a massive fan of Mythic Quest, and even more so for their latest Quarantine episode. This brings us to one of our latest original programs, Dear… which is a docuseries that profiles game-changers.
Here’s the thing, I am a sucker for musicals. Musicals always have this way of making you feel like no other movies can. It’s something that I always loved and from the very first trailer for The High Note, I was excited. I couldn’t wait to see it and the soundtrack was already something that I loved from the trailer. Because a musical is nothing without the music, it can have the greatest story of all time but if the music doesn’t work, well the film won’t work either.
Comedies are a work of art. The balance of comedy and story can be the one thing that brings the film down. Too often, the best jokes are put in the trailers and when you start the film everything else falls flat. The Lovebirds is not that. Not only is it funny from beginning to end and the jokes hit perfectly and the chemistry between Kumail Nanjiani (The Big Sick) and Issa Rae (Insecure) elevates the end product. The movie might not change the game in terms of comedies but it works so well that you end up getting something really good and entertaining.
I’ll be honest, I’ve so far only seen trailers to many of Christopher Guest’s films, and even with that minimal knowledge, it’s clear that writer and director Laura Kosann loves his films. She decided to tackle a mockumentary about social media influencers. What Laura accomplishes is proving how infuriating they can be, and makes a statement on how the “selfie” generation kind of sucks.
At the end of 2017, Toronto held a Sofia Coppola retrospective at the Bell Lightbox (home of TIFF) and I made sure to see all of her films. I had previously seen Bling Ring and The Beguiled in cinemas so I made sure to watch the other four. I was more excited to see Lost In Translation once again, but also to see her third and fourth film on the big screen as my first time. But I knew I was in for all of it, so as I sat down waiting for Virgin Suicides, I wasn’t aware that everything could change.
If there is one thing the second season of Dead To Me was able to do is to up its game and stakes. There’s something special when a show comes into its own brilliantly, so much so that it is even a little bit hard to find a way to talk about it without gushing too much. But also, it’s hard to find flaws when you found yourself enjoying it so much that all of a sudden the season ended and you just wanted more. That is exactly what Dead To Me delivered in its second season, a show that is not only funnier but is able to expand on its first season and even, at times, surpass it. The second season of Dead To Me might have flaws but it also helps elevate the show as a whole.