Going into this movie, my first thought was “is this sequel really necessary?” I mean, the original Babysitter ended up being one of my favorite films of the year, along with having an insanely awesome ending! The cast delivered in all areas and we were introduced to the incredibly charming and badass Samara Weaving (Ready or Not, Hollywood). So again, was this necessary? The answer is no. But that doesn’t mean it wasn’t welcomed. 

When it comes to relationships, everyone has a different perception of what love is and what it looks like. This perception stems from not only our own experiences but from what we’ve seen of others; our parents, our friends, movies, etc. But then we add trauma and baggage into the mix and that’s what changes everything. It can take things out of our control and end up sabotaging those relationships and this idea of love that we had to begin with switches up with every relationship that we enter. This is what the film Cicada examines and believe me when I say, it is quite the rollercoaster.

When Netflix released the first season of Trinkets last year, I felt like I was one of the last to hear about it along with even caring enough to watch it. If we’re being honest the marketing wasn’t great and it felt like it was going to be another cheesy, poorly executed high school drama that we’ve seen over and over again. While it was at times cheesy, the execution and story was much better than anyone could have anticipated and many of us were left craving more. Well, we finally got it and to start this off I have to admit, it surpassed all my expectations in the best ways possible. 

Over the years, films about religion and sexuality have become much more prominent and less taboo. We’ve deepened the examination of sexual repression within the Catholic and Christian church, more specifically in the early 2000s and before then. Although many of the churches have adapted and continue to adapt, there’s no forgetting the repression that queer people and women went through; and many continue to experience within their own religion. 

In our world today, technology and apps have not only allowed us to order rides from complete strangers but also rent someone’s home, room or cottage for the desired time. You just pick a date, show up for the keys and it’s yours for the weekend without ever really knowing exactly who you’re renting from apart from face value. Most people who participate in this system are more than likely comfortable with the idea, myself included; but what if the fear of being watched or recorded without your knowledge was brought to life. In the case of The Rental, that is exactly what’s demonstrated on screen. 

From American Horror Story to last year’s The Politician, Ryan Murphy has continuously given us some of the decades best and most unique TV. Now this year we’ve been gifted with his and Ian Brennan’s (Scream Queens, Glee) newest series, Hollywood. With a stacked cast of newcomers and veterans, gorgeous visuals and a score that feels timeless; Hollywood is a welcomed addition into Ryan Murphy’s world-building. But not one without flaws. 

The big question for this highly anticipated new season has been, will it live up to its exhilarating and remarkable season two? Well, it does and it doesn’t. Chilling Adventures continues to stun us with its haunting and gorgeous imagery along with its beloved and thoroughly fleshed out characters that we continue to enjoy and relate to. The campiness factor remains intact this season all the while taking itself more seriously than the previous two. But the whole time, I couldn’t help but think something seems off. Before I jump into my thoughts, there will be some brief spoilers regarding season two and some talk of storylines set up by episode one so if you haven’t seen the previous season yet I recommend watching it before reading this review.