From a young age, the horror genre has always stood out to me. It was the ultimate escape from reality and the pure adrenaline from being scared shitless was my go to for a good time. The more I got into film, I realized that a large part of why I enjoyed certain films came from whether or not I liked or could relate to the characters. I mean, Sarah Michelle Gellar’s character in I Know What You Did Last Summer (1997) is quite literally why it’s one of my favorite movies. But the older I got and the more I began to understand who I was, I started to notice that I wasn’t necessarily seeing someone like me in horror. There was never the gay friend in a slasher movie, the queer kid who’s part of a family living in a haunted house, or even a gay couple in a home invasion, etc. Thankfully that’s finally changing.
From American Horror Story to last year’s The Politician, Ryan Murphy has continuously given us some of the decades best and most unique TV. Now this year we’ve been gifted with his and Ian Brennan’s (Scream Queens, Glee) newest series, Hollywood. With a stacked cast of newcomers and veterans, gorgeous visuals and a score that feels timeless; Hollywood is a welcomed addition into Ryan Murphy’s world-building. But not one without flaws.