It seems like a new great comedy is on its way, this time courtesy of Amy Poehler and Netflix.
The underSCENE is very saddened at the idea of a show all about representation has been canceled, but there is hope, so until we find out what happens next, I had to put a few of my feelings into words.
This one, this one hurt.
High Flying Bird is the latest film by one of the hardest working filmmakers, Steven Soderbergh. Following his last experiment Unsane (which was great), he once again made a movie after shooting it on an iPhone 7. While most people freaked out, the fact is the camera is the only thing the phone was used for, not for audio. Also, professional lighting was also used. He’s always been at the forefront of digital cinema. He made Unsane and High Flying Bird as a statement that anybody could make a film, using our own phones is the easiest way to get there.
It’s peak television time, which means that way too often amazing shows pass by us before we even hear of them. You might think you are watching the best shows but you are probably missing some of the best television because no one can watch everything, and believe me I’ve tried. So I’ve decided to put together a small list of gems that not enough people watch and try to explain why you should.
Long live the new flesh indeed.
It’s been a few years since I previously wrote about Netflix and their original content. Even though it wasn’t that long ago, it feels like an entire lifetime ago.
At that time, David Ayer directing a Max Landis script starring Joel Edgerton and Will Smith sounded massive. It wasn’t, and it isn’t, definitely not anymore. If a film could bomb on a streaming service, then Bright did exactly that. Somehow that never stopped them or even slowed them down. In 2017, Netflix released films by Bong Joon-Ho (Okja), Noah Baumbach (The Meyeroritz Stories), and even Mike Flanagan (Gerald’s Game). That line-up is fairly substantial but they continue as 2018 had films by Alex Garland, Duncan Jones, the Coen Brothers, Alfonso Cuaron. Not to mention finally allowing the world to see Orson Welles’ The Other Side of the Wind, allowing us to watch the film almost 50 years after principal photography. Also another passion project by Martin Scorsese, The Irishman which will be released in 2019.
I have been tasked with the tough decision of making my Top Ten Favourite Films of the year. This is never an easy venture. As a self proclaimed film buff/cinephile I find I constantly fall in love with films and my lists just keeps piling up as the year goes on. I’m also that kind of person who if you ask about my favourite movie, food, ice cream place I will give you a top 3-20 list because I can never choose just one.
I feel like I saw a lot of films this year but comparing my list to others I may have missed a lot of the buzzworthy films because they didn’t make my list. I also still have so much to catch up on regarding films that came out in 2018. I apologize in advance as my list will definitely not match others but I’m confident in saying these titles shouldn’t be looked over either.