Honestly, just because you can de-age someone, doesn’t necessarily mean that you should. And yes, it’s so good, we had to write about it twice.
What feels like a lifetime ago, I wrote an article about Netflix and its original programming. Even then, I knew it was only a matter of time before we got bigger projects to appear exclusively for Netflix, but I never thought we would get a Martin Scorsese picture.
Continue reading “The Irishman [Review]”
Long live the new flesh indeed.
It’s been a few years since I previously wrote about Netflix and their original content. Even though it wasn’t that long ago, it feels like an entire lifetime ago.
At that time, David Ayer directing a Max Landis script starring Joel Edgerton and Will Smith sounded massive. It wasn’t, and it isn’t, definitely not anymore. If a film could bomb on a streaming service, then Bright did exactly that. Somehow that never stopped them or even slowed them down. In 2017, Netflix released films by Bong Joon-Ho (Okja), Noah Baumbach (The Meyeroritz Stories), and even Mike Flanagan (Gerald’s Game). That line-up is fairly substantial but they continue as 2018 had films by Alex Garland, Duncan Jones, the Coen Brothers, Alfonso Cuaron. Not to mention finally allowing the world to see Orson Welles’ The Other Side of the Wind, allowing us to watch the film almost 50 years after principal photography. Also another passion project by Martin Scorsese, The Irishman which will be released in 2019.
Continue reading “Long Live the New Netflix [Film Crew]”