Films that you didn’t love but also didn’t hate are the most difficult to write about. Not because it’s hard to emulate what you mean but because feelings about them are mixed and too often don’t reflect everything that you feel. That’s why writing this is hard because I wanted to love Chicuarotes and sometimes I did. Sometimes I saw the brilliance behind Gael Garcia Bernal’s film. But then that little flicker of hope that was in me slowly dissipated only to be replaced mostly by annoyance. Chicuarotes is the in-between for me, the film that I liked and hated at the same time, a film that walking away I just thought that I had seen it, didn’t feel anything extraordinary whether positive or negative that would have been. It was simply a film that I had a witness.
Movies make you feel things. Those feelings can vary from films to films but they are supposed to be there. Walking away from a film feeling nothing is never something that should happen. And then there are the movies that make you feel everything, overwhelms your sensations and make you question everything you think you know For me, Portrait of a Lady on Fire did just that. It’s not that it’s emotional per se, it’s more of a feeling that the movie gives you. While there is some moment that will bring you to tears, the atmosphere and story itself make you feel. Films that are able to set feelings without really trying are unique, they are in a category of their own, at least for me. I hate to compare films, I think it doesn’t do justice to them really. But if I had to compare Portrait of a Lady on Fire to another one, in terms of the way emotions, or at least what it made me feel, I would compare it to Call Me By Your Name. Let me tell you why.
Parasite cons you just like it’s protagonists con the family they infiltrate the life of. Bong Joon-oh makes you believe one thing and then lets the curtain fall, it’s then that you realize that you are faced with a totally different film. What Bong Joon-oh does so well is to create a feeling of comfort in you, you think you know where it’s all going and then… Goodbye comfort and hello madness. It’s wild, unpredictable but oh so delightful. It’s hard to pinpoint exactly what type of film Parasite is. Not because it’s nothing but because it’s everything. At times comedy, followed by thriller to end with drama, Parasite blends genre like nothing else before.
Commentary films are somewhat of a norm nowadays. In the world we are currently living in, they are impossible to escape. But rare are those films that go in a different direction to look at our situation. Most of them are brutally honest and raw, making your emotions run wild. And Antigone does that but in a different way. It’s brutally honest and raw but decides to look also at the past to explore our present. By adapting the Greek tragedy of the same name, Sophie Deraspe (The Amina Profile, Missing Victor Pellerin) finds a way to do a commentary on today’s world while looking at the past of it all. It’s interesting and sad that such an old tale still works but Deraspe is capable of hammering down her point by changing just a few things to make it fit today’s world.
It is finally here.
Or rather, It is finally here. Whichever is right, let’s go with that.
If you wait patiently, I’ll have the review for It: Chapter Two out soon, but until then, one more trailer. And it’s a big one.
Do not say I don’t ever do anything for this site.
I moved to Toronto three years ago in the middle of TIFF. Three years ago, I was alone and knew no one and so I did what any cinephile does, I went to a movie. Growing up, we didn’t have an excess of money and so going to the theatre was something we did but not every week. It’s only when I started working that the theatre became a regular thing for me. Going to a Festival was all new to me, the experience was everything and more. Then, last year I was lucky enough to be able to cover the Festival and was able to see a lot more then I thought I would. And this year, well I will be again be attending the Festival as press and will provide coverage right here.
Movies are a weird thing, objectively they can differ with everyone and you can either connect to them on a deep level or just see them as fun and move past it. For me, Brittany Runs a Marathon is nothing but miraculous. Connecting to films isn’t new to me, every year there’s just one movie that sits with me for a long time and I just wait for it to leave me only to become part of me. I have a feeling that Brittany Runs a Marathon will be just that to me. From beginning to end, the film spoke to me. I understood it and what the characters were going through. I never felt like the film was preaching to me, instead, it was just going through me and making me feel all the emotions possible. See, just like the character of Brittany (Jillian Bell), I lost a lot of weight. While we did it for a very different reason, I could understand everything she was going through because I went through it all too.
If you know me, you know one thing, Star Wars is everything to me. There’s so much that I love about it and I will always love about it. Unlike many, I loved The Last Jedi, though it was one of the best films in the series. So for me, The Rise of Skywalker has to accomplish a lot. It needs to continue the story of our three new main characters, it needs to live up to my expectations and needs to conclude one of the best sagas ever created. That’s a lot to ask for a film, but at the same time, it’s Star Wars so I expect nothing else than perfection at this point. With the D23 Expo that happened this weekend, it was just a matter of time before a trailer came out and this morning, we all woke up to this gem.