When I had the chance to write a retrospective look-back on this film, I was beyond thrilled. Not only is today the 25th anniversary of it’s release (which also happens to be my birthday), but it’s one of my favourite films from one of my favourite directors, David Fincher. Films like Fight Club, Zodiac, The Social Network and Gone Girl never fail to rope me in with their superb writing, twisty plots and dark character drama (no matter how many times I’ve watched them). But before all those, there was one film that truly established Fincher’s style, and practically changed the game for the psychological-thriller genre. That film was Se7en.

I never thought the day where I would walk out of a Tarantino movie completely indifferent from what I had just seen. Tarantino isn’t one of my favourite filmmakers but I can see the genius behind his work, he was always one prone to violence but I could always see how much of a great filmmaker he was. So going into Once Upon A Time… In Hollywood, I was excited. The premise was interesting, the idea of a what-if was more than appealing and the cast was out of this world. Imagine my disappointment when I walked away more disappointed than satisfied.

Another day, another write-up for a trailer for a movie you’ve never heard of from a writer who’s been waiting for this moment for months.

James Gray may not be a name you’re really aware of, and that’s fine, he wasn’t a recognizable name for me until recently.  But today, we’re going to change that. In 1994, he made his debut feature Little Odessa, and in 2000 he directed and co-wrote The Yards (with Matt Reeves, remember that name for a second).