Nostalgia is something that we can all relate too, especially in today’s world where everything seems to be going into shambles. The Way I See It banks on this idea of nostalgia. Following Pete Souza and revisiting his eight years as the photographer for President Obama and his response following President Trump’s election and today’s world. Composing itself mostly of images and stock footage intertwined with interviews, The Way I See It tries to make you yearn for past times and fear our future with the current President of the United States at its head.
I got to talk to the director of one of my favourite films coming out of Fantasia, Clapboard Jungle. A great inspiring documentary about the hardships of making a film. You can read my review here. And read our conversation now!
I don’t remember the last time I actively found a documentary be so exhilarating and electrifying as much as I did with You Cannot Kill David Arquette.
If you missed it last fall, we covered the Toronto After Dark Film Festival. It’s a great, quick and short festival that unfortunately got postponed this year. One of the programmers for the festival is Justin McConnell. In 2018, he had a film that premiered at Toronto After Dark, as well as Fantasia called Lifechanger. He’s back again for the Fantasia, and this time with a really great documentary.
Dear… is one of the newest series to premiere on the still new and fresh Apple TV+ streaming service. I haven’t found time to dive into a lot of their programming, but I’m a massive fan of Mythic Quest, and even more so for their latest Quarantine episode. This brings us to one of our latest original programs, Dear… which is a docuseries that profiles game-changers.
A secret love deserves to not be kept a secret anymore. It’s cheesy to say but the story of Terry Donahue and Pat Henschel should have been said much sooner. Terry Donahue is already a legend on her own, being one of the inspirations behind the great movie A League of their Own. She might have been one of the few women that played professional baseball when that was still not the norm for women but maybe what is the most impressive, and sad, is how who she is was never known, not only to the public but to her family until just a few years ago. Their story deserves to be told and A Secret Love tries to do them justice but the short run time and the overstuffing of the documentary impairs it from going in deeper in their story and a lot gets lost in the process.
Identity is something that defines you when you are part of the LGBTQ+ community. It’s a question that you wrestle with most of your life and sometimes it takes forever to answer it, sometimes you can never truly become yourself. Maybe that is why Man Made is so touching, so powerful. Because it’s about men finally being themselves, putting themselves out there and being true to themselves. It’s admirable, to say the least, and it’s a subject we don’t talk enough about and is not seen enough in film, fiction or not.
Something I always have thought about doing is programming for a theatre. What sort of films would I show, but also what films could be paired with each other? To program fun double features. I’m positive if I could, I would pair Queering The Script with Scream, Queen! and all would make sense in the world.
Unlike most people I know who are into genre films, I got into them fairly late in comparison. It wasn’t until I was about 15 that I was able to handle them. Seeing The Shining at the age of 10 traumatized me for nearly a month. I remember being in the room at one point as my family watched Freddy Vs. Jason and I realized, maybe it’s not so bad. It was also middle of the day on the weekend with all the lights on, so I got by just fine. It wasn’t until after the film was after that my family members told me that this film wasn’t necessarily scary anyway. “Not like the older Freddy or Jason films.” They were right, but I wasn’t sure how right.