Scare Me is directed by Josh Ruben (best known for his work on CollegeHumor). He also plays Fred, an aspiring novelist who goes to a cabin to focus on writing his book. He meets Fanny (Aya Cash), a bestselling horror author also working on her next novel. When the power goes out, Fanny makes her way over to Fred’s cabin and they enter a competition to tell the best scary story.
I grew up with the Saw series. As much as I prefer and love the first, I still returned and watched every other iteration that Darren Lynn Bousman brought us. And I was genuinely sad to know that Spiral was delayed because I was excited to see him return to the franchise. I might have lost some of that excitement during Death of Me because uh, this movie ain’t it bud.
Possessor premiered at Sundance earlier this year, and I’ve been waiting for what feels like forever (and also, no time at all, thanks Covid) to see it. Seeing nothing but praise for the film, and so I’ve been waiting and waiting and waiting. This week I got to see it, and holy shit. Holy actual shit. They did that.
When I had the chance to write a retrospective look-back on this film, I was beyond thrilled. Not only is today the 25th anniversary of it’s release (which also happens to be my birthday), but it’s one of my favourite films from one of my favourite directors, David Fincher. Films like Fight Club, Zodiac, The Social Network and Gone Girl never fail to rope me in with their superb writing, twisty plots and dark character drama (no matter how many times I’ve watched them). But before all those, there was one film that truly established Fincher’s style, and practically changed the game for the psychological-thriller genre. That film was Se7en.
From a young age, the horror genre has always stood out to me. It was the ultimate escape from reality and the pure adrenaline from being scared shitless was my go to for a good time. The more I got into film, I realized that a large part of why I enjoyed certain films came from whether or not I liked or could relate to the characters. I mean, Sarah Michelle Gellar’s character in I Know What You Did Last Summer (1997) is quite literally why it’s one of my favorite movies. But the older I got and the more I began to understand who I was, I started to notice that I wasn’t necessarily seeing someone like me in horror. There was never the gay friend in a slasher movie, the queer kid who’s part of a family living in a haunted house, or even a gay couple in a home invasion, etc. Thankfully that’s finally changing.
In case I haven’t mentioned it before, Shudder is a godsend in terms of a streaming service. Between curating great previous films and franchises and shows (Channel Zero, I urge you to give a watch) but they also have original content and The Beach House is the latest great addition to their already stacked catalogue.
Look at me being productive over here!
Did you get a chance to see The Invisible Man in theatres? If not, we might be able to help you out here.
The big question for this highly anticipated new season has been, will it live up to its exhilarating and remarkable season two? Well, it does and it doesn’t. Chilling Adventures continues to stun us with its haunting and gorgeous imagery along with its beloved and thoroughly fleshed out characters that we continue to enjoy and relate to. The campiness factor remains intact this season all the while taking itself more seriously than the previous two. But the whole time, I couldn’t help but think something seems off. Before I jump into my thoughts, there will be some brief spoilers regarding season two and some talk of storylines set up by episode one so if you haven’t seen the previous season yet I recommend watching it before reading this review.
As I mentioned briefly before, we were told going into the festival that The Furies was going to be the goriest. They also warned us that The Assent is the scariest film of the festival. From what I’ve seen so far, I definitely agree. I didn’t think I would learn a few things about demonic possession during the film.
I should’ve known what we were going to watch after the great (and funny) short film that played before our screening of Extra Ordinary. But nothing could have prepared me for the non-stop jokes and the total bunker film that it was. Coming from Mike Ahern and Enda Loughman, in their directorial feature debut, Extra Ordinary benefits from an all-star cast that makes the film what it is.