Road trip movies are fun because it allows the filmmakers to explore their characters in situations that often we don’t find ourselves in. But they need to have interesting characters and relationships but also a premise that can be sustained. Summerland had potential and the acting and relationships are enough to make it something more, the problem is that Summerland can’t hit all the marks it needs too. It finds itself muddled into a story that never finds it’s footing and, quietly frankly, becomes boring when it should be entertaining.
Identity is something that defines you when you are part of the LGBTQ+ community. It’s a question that you wrestle with most of your life and sometimes it takes forever to answer it, sometimes you can never truly become yourself. Maybe that is why Man Made is so touching, so powerful. Because it’s about men finally being themselves, putting themselves out there and being true to themselves. It’s admirable, to say the least, and it’s a subject we don’t talk enough about and is not seen enough in film, fiction or not.
Movies make you feel things. Those feelings can vary from films to films but they are supposed to be there. Walking away from a film feeling nothing is never something that should happen. And then there are the movies that make you feel everything, overwhelms your sensations and make you question everything you think you know For me, Portrait of a Lady on Fire did just that. It’s not that it’s emotional per se, it’s more of a feeling that the movie gives you. While there is some moment that will bring you to tears, the atmosphere and story itself make you feel. Films that are able to set feelings without really trying are unique, they are in a category of their own, at least for me. I hate to compare films, I think it doesn’t do justice to them really. But if I had to compare Portrait of a Lady on Fire to another one, in terms of the way emotions, or at least what it made me feel, I would compare it to Call Me By Your Name. Let me tell you why.