Directed by Thomas Robert Lee, The Curse of Audrey Earnshaw explores the increasingly strained relationship between Agatha (Catherine Walker) and her daughter Audrey (Jessica Reynolds), who has been kept a secret her entire life. Suspected to be conducting witchcraft, hysteria mounts as farms in the town have been fruitless, while Agatha’s continues to flourish.

I wanted to like John Stewart’s Irresistible, it seemed to be the type of film that I usually enjoy. It boasts a stellar cast and the premise seemed poised to create a great satire that could have created a conversation about politics and our society. Instead, Irresistible fails on every front and even a pitch-perfect Rose Byrne can’t save the mess that this film ends up being.

Comedies are a work of art. The balance of comedy and story can be the one thing that brings the film down. Too often, the best jokes are put in the trailers and when you start the film everything else falls flat. The Lovebirds is not that. Not only is it funny from beginning to end and the jokes hit perfectly and the chemistry between Kumail Nanjiani (The Big Sick) and Issa Rae (Insecure) elevates the end product. The movie might not change the game in terms of comedies but it works so well that you end up getting something really good and entertaining.

If there is one thing the second season of Dead To Me was able to do is to up its game and stakes. There’s something special when a show comes into its own brilliantly, so much so that it is even a little bit hard to find a way to talk about it without gushing too much. But also, it’s hard to find flaws when you found yourself enjoying it so much that all of a sudden the season ended and you just wanted more. That is exactly what Dead To Me delivered in its second season, a show that is not only funnier but is able to expand on its first season and even, at times, surpass it. The second season of Dead To Me might have flaws but it also helps elevate the show as a whole.

I wanna start this review by saying that I have a love-hate relationship with this series. When the first season was released, I wasn’t exactly transfixed with the show. I thought the first episode was cringe, derivative and cliche in terms of its settings and characters. While I did find the premise of the show to be interesting, I just was not motivated to watch the rest of the show based on my reaction to the pilot. But when I heard that Anthony Mackie would be taking over the role of the protagonist in season 2 I decided I’d give the series another go. So it really wasn’t until about 2 years later that I finally watched and finished the rest of the first season, mostly due to the fact that I was very interested in how the second season would play out.

The first To All The Boys I’ve Loved Before was a nice little surprise when it came out last year. It wasn’t really what we expected when we all logged into our Netflix account to watch this romantic comedy. Instead of getting a movie that we would all forget and make fun of overtime, we got a film that actually was good. Yes, it did play into most of the young adult tropes that we are all very used to but the elevated cinematography for this type of film and a charming cast brought something refreshing and, quite frankly, unexpected. With all that and the success of the film, it wasn’t a surprise at all when a sequel was announced. Not only was one sequel was announced but the announcement came with the news that the third book of the series would also find it’s way to being adapted and on Netflix in the near future. But like any sequels, being able to recreate what had made it special could be hard, so the arrival of To All The Boys: PS I Still Love You was something that, while I was looking forward to it, I was also a bit scared. I had enjoyed the first film and really hope that I would find myself enjoying this one too.

The big question for this highly anticipated new season has been, will it live up to its exhilarating and remarkable season two? Well, it does and it doesn’t. Chilling Adventures continues to stun us with its haunting and gorgeous imagery along with its beloved and thoroughly fleshed out characters that we continue to enjoy and relate to. The campiness factor remains intact this season all the while taking itself more seriously than the previous two. But the whole time, I couldn’t help but think something seems off. Before I jump into my thoughts, there will be some brief spoilers regarding season two and some talk of storylines set up by episode one so if you haven’t seen the previous season yet I recommend watching it before reading this review.

Sometimes shows go through a sophomore slump, when they can’t quite find what made their first season stand out from the ground. So going into the second season of Sex Education, I was scared because not only did I really enjoy season one but with the ending, it was obvious that the show could go in a lot of directions. But after being able to watch all episodes of the second season before it’s released, I am happy to say that not only did it meet my expectations but it also exceeded them. Now, this review will be spoiler-free because I do believe that all the little twists and turns that happen on this show make it even better and I want everyone to be able to enjoy it and freak out just like I did when I was first watching it.

(Please note that this review is not spoiler-free as I had to go into detail to explain why I felt the way I felt.)

Nostalgia is probably the biggest thing in cinema and television right now. With all the reboots and sequels, the idea of nostalgia drives a lot of the film that we get. Sometimes it works, others not so much. But more then none, it creates a product that feels like something we have seen before. Star Wars: The Rise of Skywalker feels like that, a product that was created simply to cater to the fans that felt betrayed by the previous instalment. Rise of Skywalker isn’t a bad movie per se, but when placed right after what I considered to be one of the best Star Wars movie ever, then it feels jarring and is not a satisfying end to a saga that spanned 40 years.

Fantasy films are some of my favourites but too often they focus on characters that I can’t connect to or even identify with. Too often the characters feel the same and never feel like I could be one of them. It’s not to say that I can’t enjoy fantasy or film of that genre but it’s not the same. That is why Alice Waddington’s Paradise Hills is such a breath of fresh air, a film that creates such a universe that you can forgive the flaws and story problem. In her directorial debut, Waddington creates a universe that feels complete, bringing a breath of fresh air in this genre that is too often dominated by men and their stories.