Category Archive: Reviews

The Boys In The Band [Review]

“There came a time where I couldn’t lie to myself anymore.”

In 1968, a little off broadway play that was incredibly ahead of its time came about. A play about a group of gay men who gather for a birthday party, only for an unexpected guest to intrude. It was one of the first times queer storytelling was unapologetically put on stage during a time not nearly as accepting as now; and only two years later a film adaptation came out and garnered one of its stars a Golden Globe nomination. For its 50th anniversary, Joe Mantello (The Normal Heart) revived the play for Broadway with an all star cast led by Jim Parsons (The Big Bang Theory) which ended up being a major hit. This brings us to this year’s film adaptation, with the same cast from Broadway, of The Boys In The Band.

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25 Years Later: Se7en

When I had the chance to write a retrospective look-back on this film, I was beyond thrilled. Not only is today the 25th anniversary of it’s release (which also happens to be my birthday), but it’s one of my favourite films from one of my favourite directors, David Fincher. Films like Fight Club, Zodiac, The Social Network and Gone Girl never fail to rope me in with their superb writing, twisty plots and dark character drama (no matter how many times I’ve watched them). But before all those, there was one film that truly established Fincher’s style, and practically changed the game for the psychological-thriller genre. That film was Se7en.

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The Dancing Dogs of Dombrova [Review]

I previously wrote some of this review a year and a half ago for The Film Queue. And for a million and one reasons, it feels like a lifetime ago. I was given the opportunity to watch it again in honour of it being released physically today, on September 22nd. So, please, go watch it. Rent it, buy it.

I also got to sit down (socially distanced of course) and talk with the Toronto-based director Zack Bernbaum. My interview will be posted soon.

Here is my updated review of The Dancing Dogs of Dombrova.

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The Swerve [Review]

Going into a film not knowing much about it usually makes things more exciting. Not knowing exactly where the film is heading makes things more unpredictable; and we all know trailers spoil too much nowadays so I avoided the trailer for this movie. I soon realized that not knowing anything going into this film may have tainted my experience because the whole time I couldn’t help but wonder, do I care where this is going or is this even going anywhere for that matter?

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Spiral [Review]

From a young age, the horror genre has always stood out to me. It was the ultimate escape from reality and the pure adrenaline from being scared shitless was my go to for a good time. The more I got into film, I realized that a large part of why I enjoyed certain films came from whether or not I liked or could relate to the characters. I mean, Sarah Michelle Gellar’s character in I Know What You Did Last Summer (1997) is quite literally why it’s one of my favorite movies. But the older I got and the more I began to understand who I was, I started to notice that I wasn’t necessarily seeing someone like me in horror. There was never the gay friend in a slasher movie, the queer kid who’s part of a family living in a haunted house, or even a gay couple in a home invasion, etc. Thankfully that’s finally changing.

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The Devil All The Time [Review]

They say The Lord works in mysterious ways. He certainly does in Antonio Campos new Netflix film, The Devil All The Time. Based on the novel of the same name by Donald Ray Pollock, the film explores the vengeful life stories of several god-fearing Americans as they try to come to terms with a higher power, but truly attempt to come to terms with themselves. It is a dark window into a society where evil can be justified in simple terms and good can be difficult to distinguish from its more aggressive opposite. 

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We Are Who We Are [Review]

I first heard of Luca Guadagnino with 2016’s A Bigger Splash, a film that has been on my radar but still sadly hasn’t seen (will fix soon). His next two films hit me like bricks – Call Me By Your Name and Suspiria (the remake is the superior version, and I will die on this hill). Since Call Me By Your Name, Luca’s name has been everywhere including a Lord of The Flies adaptation, and also the Scarface film that the Coen Bros wrote. On top of that, he also co-wrote and directed 8 episodes for HBO. I’ve seen four of the eight episodes, and I am absolutely head over heels for his latest project.

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