Criticism, whether you’re critiquing art, film or anything in between, can be a very persuasive tool. This “power of the critic” can make the most insignificant things seem meaningful, or the most valuable things seem worthless. To put it simply, it’s all one big trick. This is exactly what The Burnt Orange Heresy is trying to convey. 

Sometimes just from a premise of a show, you just know something is for you. I usually navigate more towards comedy when it comes to television but sometimes a dramatic show will come and sweep me off my feet. Away comes from a team that I trust. Produced by Matt Reeves (Felicity, The Batman, Cloverfield) and Jason Katims (Roswell, Friday Night Lights, Parenthood) and starring Oscar winner Hilary Swank (Boys Don’t Cry, Million Dollar Baby), it had everything to succeed. My only concern was how one could sustain a drama set during a mission to Mars where most of the show would take place onboard a ship. Well, Away was capable of finding a way and make a show that maybe isn’t always on point but certainly shows it’s potential.

All Together Now was not what I thought it would be. I have not read the book the film is based on and so I watched it with simply the premise in the head. To say that it took me by surprise is an understatement. I still don’t know how I would qualify this film, how I could describe it. Going into this film, I thought I was in for a very normal young adult film, the type that we are now used to seeing on Netflix. All Together Now is not that. While there are tonal problems at times, the film doesn’t pull its punches and hits you at every turn in the feelings. Does it feel like it might be too much at times? Yes, it does. But even when it does, the stellar performance from Auli’i Cravalho (Moana) saves the film from going too much into the melodramatic.

You know that feeling when you watch a show and you just can’t stop watching. Going into something completely blind, with no idea of what this is going to happen, that surprise feeling as the episodes pass and things get crazier and crazier. Sometimes it’s a nice surprise, others it isn’t. Going blind into Warrior Nun was the best thing I did. The only thing I knew about this show was because of the trailer that Netflix released. It was a nice surprise, a surprise that after I finished I wished I had taken more of my time watching because while the show is far from perfect, Warrior Nun reminds me a lot of another great little supernatural show that deserves a lot more attention, Wynonna Earp.

Sometimes after you sit with a show for a while, your opinion of it can change, for better or worse. After my first watch, I found myself loving I Am Not Okay With This, but with time and space, I realized that most of what I felt was just falling short of what I had hoped. That doesn’t mean this show isn’t enjoyable, it is but it also isn’t as good as it could be. It falls just a little short and takes to long to finally get to what it needs to be. By the end, you think you are satisfied but in reality, you are just okay with this. Coming from the producers of one of my favourite shows, It’s The End of the F***ing World and coming from a graphic novel written by the same author then the show, I Am Not Okay With This as a lot of expectations to live up to. Using a very similar way of telling the story, by having the main character narrate their side of the story, but what was very effective in It’s The End of the F***ing World just doesn’t work as well in this.

Sometimes shows go through a sophomore slump, when they can’t quite find what made their first season stand out from the ground. So going into the second season of Sex Education, I was scared because not only did I really enjoy season one but with the ending, it was obvious that the show could go in a lot of directions. But after being able to watch all episodes of the second season before it’s released, I am happy to say that not only did it meet my expectations but it also exceeded them. Now, this review will be spoiler-free because I do believe that all the little twists and turns that happen on this show make it even better and I want everyone to be able to enjoy it and freak out just like I did when I was first watching it.

Parasite cons you just like it’s protagonists con the family they infiltrate the life of. Bong Joon-oh makes you believe one thing and then lets the curtain fall, it’s then that you realize that you are faced with a totally different film. What Bong Joon-oh does so well is to create a feeling of comfort in you, you think you know where it’s all going and then… Goodbye comfort and hello madness. It’s wild, unpredictable but oh so delightful. It’s hard to pinpoint exactly what type of film Parasite is. Not because it’s nothing but because it’s everything. At times comedy, followed by thriller to end with drama, Parasite blends genre like nothing else before.