As I mentioned briefly before, we were told going into the festival that The Furies was going to be the goriest. They also warned us that The Assent is the scariest film of the festival. From what I’ve seen so far, I definitely agree. I didn’t think I would learn a few things about demonic possession during the film.

I logged onto Twitter right at 9am. The first thing I saw was the trailer for The Lighthouse. Cue me screaming and pulling out my laptop in a car and hot-spotting my phone so that I may be here to write about it.

I might add to future thoughts when I arrive home, but this is what we do in the meanwhile.

Let’s see this beautiful thing.

If you know me, you know that this article was coming. In fact, you all should be surprised it wasn’t already posted by the time this one will be.

Before we even talk about the trailer, let me educate the uninformed. Mike Flanagan is one of my favourite working filmmakers. He understands horror at a core level – and then allows you to empathize with his characters through proper drama. Why do horror films work better than others? Simple, because you care about the characters. The villain or our heroes. In some slasher series (take a stab at any really), by the end of their franchises, it becomes less and less about an on-going hero (with some exceptions), and more and more about a hero. We don’t go to see any Friday The 13th films except to see Jason kill some teenagers. We do go see any of the Scream films, or the recent sequel to 1978’s HalloweenHalloween. I know, names for movies are strange. But that’s what works best with Flanagan. You care about his characters.