The Laundromat marks Steven Soderbergh’s second film released by Netflix in this year alone. This film wasn’t shot on an iPhone like his last two films, Unsane, and High Flying Bird. While visually and stylistically, Laundromat feels like classic Soderbergh, it still is too messy to be continuously enjoyed. Don’t get me wrong, I very much was glad that I got to see The Laundromat on the big screen, and that others will be able to as well. I just personally believed that High Flying Bird should have had the same opportunity.