I’m tired. I’m tired of lesbian films taking place in the past, tired of not being able to enjoy a film because I know the terrible ending where someone dies or goes back to her husband is coming closer and closer. That doesn’t mean that I don’t enjoy them from time to time, after all my favourite film of last year, Portrait of a Lady on Fire is a period drama. I’m just tired of that setting being the only way for me to find lesbian representation in films. Why can’t I have a Love, Simon? Why is it that lesbian love stories are always about pain and suffering? I’m tired honestly.
When it comes to relationships, everyone has a different perception of what love is and what it looks like. This perception stems from not only our own experiences but from what we’ve seen of others; our parents, our friends, movies, etc. But then we add trauma and baggage into the mix and that’s what changes everything. It can take things out of our control and end up sabotaging those relationships and this idea of love that we had to begin with switches up with every relationship that we enter. This is what the film Cicada examines and believe me when I say, it is quite the rollercoaster.
The Oak Room proves that a great and solid script can absolutely make the movie on it’s own. On top of that, that we also need a lot more play adaptations.

I don’t remember the last time I actively found a documentary be so exhilarating and electrifying as much as I did with You Cannot Kill David Arquette.

Sometimes, finding the right opening film for a film festival helps set the entire mood for the whole festival. So, yes, the opening night film helps do that because it’s a statement on the tone of the festival – but not everyone always starts with that opening film. So while I will be seeing The Reckoning, The first film I got to see was Detention, and it was phenomenal. It makes for a perfect opener. At least for me.
Also, I recently wrote about how Scott Pilgrim was one of my favourite Video Game adaptations, and how it’s not actually accurate, I’m going to start mentioning Detention in its place instead.

When Netflix released the first season of Trinkets last year, I felt like I was one of the last to hear about it along with even caring enough to watch it. If we’re being honest the marketing wasn’t great and it felt like it was going to be another cheesy, poorly executed high school drama that we’ve seen over and over again. While it was at times cheesy, the execution and story was much better than anyone could have anticipated and many of us were left craving more. Well, we finally got it and to start this off I have to admit, it surpassed all my expectations in the best ways possible.
I had the incredible pleasure of being able to talk to the director of one of my favourite film’s coming out of Fantasia. John Hsu directed the absolute hell out of Detention. Detention was the first film that I saw out of the festival, and it set the exact mood and feel that I wanted for the rest of the festival.
It’s only playing once during the festival, and that is tonight (August 24th) at 7 pm. So read my interview, buy a ticket (it’s only 8 bucks, cheaper than Cineplex – and safer than Cineplex) and enjoy a truly great film.

The last one of the day.
(And probably my most anticipated one.)
As a note, this is literally a love letter to Matt Reeves and Robert Pattinson and I have no shame in saying so.
I don’t remember the last time I watched something that I found so absolutely charming as this film was. In order for me to speak properly about my feelings on the film, this review will have mild spoilers (regarding my overall feelings of the film, not the actual plot of the film). I will indicate where the spoilers begin, so feel free to read up to those moments.

Zack Snyder is back and with a vengeance.
When Justice League was released, it was clear that this was not the vision that Snyder had seen when he first started doing this film. But family took a priority in his life and he was forced to leave before the film ever was finished. Joss Whedon took over and the end product was more than disappointing.
