Like many of you, I’ve been counting the days and looking forward to Lovecraft Country since it was announced. Having seen the trailer a dozen and a half times since it was released (as if I was the only one who did so), I still felt like I wasn’t sure what I was about to walk into for the show. And after seeing the first five episodes, I yet don’t have an idea of what the show has left up its sleeves.
Author: Andres Guzman
If you missed it last fall, we covered the Toronto After Dark Film Festival. It’s a great, quick and short festival that unfortunately got postponed this year. One of the programmers for the festival is Justin McConnell. In 2018, he had a film that premiered at Toronto After Dark, as well as Fantasia called Lifechanger. He’s back again for the Fantasia, and this time with a really great documentary.

One of the most daunting articles I’ll ever tackle.
Scott Pilgrim is both one of the best graphic novel adaptations, but also I’d be willing to argue, the best video game film of all time.

In a few days, I’ll be covering Fantasia Festival. This year is a bit different as most festivals have either been cancelled, postponed or adapted to fully digital (or drive-in’s). Fantasia Festival is another that tackled changing their festival to entirely digital. Now that all three waves have announced, I’m excited to talk about some of the films I’m looking forward to seeing the most.
When I got the e-mail to potentially cover Peninsula, there was one thing that I knew I had to do first, and that was to watch Train to Busan first. I had four years to do so prior, but now there was a timeline for the next film, I rushed for it. And yes, I was aware it wouldn’t be a direct sequel or one that was directly connected to the first one. But I wanted an understanding of their world and zombies first before seeing where they would adapt.
New Charlie Kaufman alert!
It looks like movie theatres are finally open back in Canada, and in the case of our site, in Toronto. And as movies are beginning to come up again,
She Dies Tomorrow is a fascinating way to look at how thoughts can be contagious and how evexrything is able to spread. And yes, it feels relevant because of the pandemic, but it would also feel relevant if it came out prior to COVID.
In 2017, Jay Baruchel made his feature directorial debut with Goon: Last of the Enforcers, a sequel to the Michael Dowse helmed Goon, which he co-wrote with Evan Goldberg. The response to his film was that it didn’t sway too much from the original – which makes for an enjoyable sequel but doesn’t try to fix some of the things that critics didn’t enjoy in the first film, such as it’s violence at the scale it had. And it seems that Jay doubled down (or even quadrupled) on the violence for his horror film. And it makes for a great and grimey horror.
This past week I got to speak to Kelvin Harrison Jr. on the phone about finding his voice, both as an actor and as an excellent singer in The High Note. As I say during the interview, I first found Kelvin watching It Comes at Night, and ever since then I knew he would capture his audience’s attention every chance he got. I just didn’t know he would do so by singing.
