Parasite cons you just like it’s protagonists con the family they infiltrate the life of. Bong Joon-oh makes you believe one thing and then lets the curtain fall, it’s then that you realize that you are faced with a totally different film. What Bong Joon-oh does so well is to create a feeling of comfort in you, you think you know where it’s all going and then… Goodbye comfort and hello madness. It’s wild, unpredictable but oh so delightful. It’s hard to pinpoint exactly what type of film Parasite is. Not because it’s nothing but because it’s everything. At times comedy, followed by thriller to end with drama, Parasite blends genre like nothing else before.
With every year, there are always a handful of films that I try and champion. Films with little-to-no marketing. This is why I almost have a film end on my list of favourites at the end of the year that nobody has heard of before.
Knives and Skin is definitely one of those movies you’ll hear me rave about for the rest of the year. If you followed any outlets that have been at Tribeca, Overlook or even Fantasia later this year, I know you’re going to hear all about this film. And you very much should. You’re going to hear a lot of similarities to Twins Peaks – and rightfully so.
From it’s opening to the end, there’s something very 90’s about Greta. It’s a feeling that never quite goes away and gives the film a little thing that feels a bit out of place in today’s world. That doesn’t mean that Greta is a bad film, hell, I found it really enjoyable even with its faults. It just makes the movie a little thing that seems to have come out a little late. Thrillers like this were the norm back in the ’90s. Today, well, not so much. Yes, we still see thrillers happen today, but they never get the same attention that they had before. Most of them fade really quickly or are not considered great cinema. And very rarely do they get two great actresses like Chloë Grace Moretz and Isabelle Huppert as their leads.